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Preparing Graphics:  
 
Preparing Graphics:  
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First, it is important to understand the differences between a vector and a raster when setting up graphics to be printed. Raster images use many colored pixels or individual building blocks to form a complete image. JPEGs, GIFs and PNGs are common raster image types. Almost all of the photos found on the web and in print catalogs are raster images. Because raster images are constructed using a fixed number of colored pixels, they can’t be dramatically resized without compromising their resolution. When stretched to fit a space they weren’t designed to fill, their pixels become visibly grainy and the image distorts. This is why altered photos may appear pixilated or low resolution. Further, because a raster image is composed of many tiny pieces it is difficult to distinguish one object from another within the image. Vector images, alternatively, allow for more flexibility. Constructed using mathematical formulas rather than individual colored blocks, vector file types such as SVG, EPS, AI and PDF* are excellent for creating graphics that frequently require resizing. Also, each object within a vector file is assigned to a distinct layer within Adobe Illustrator or Inkscape which means an object can be moved, resized, and recolored without affecting the rest of the image. Having a graphic in vector format can be helpful because it is easy to remove the vinyl background from the graphic by adding a cut line around the object.  
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First, it is important to understand the differences between a vector and a raster when setting up graphics to be printed. Raster images use many colored pixels or individual building blocks to form a complete image. JPEGs, GIFs and PNGs are common raster image types. Almost all of the photos found on the web and in print catalogs are raster images. Because raster images are constructed using a fixed number of colored pixels, they can’t be dramatically resized without compromising their resolution. When stretched to fit a space they weren’t designed to fill, their pixels become visibly grainy and the image distorts. This is why altered photos may appear pixilated or low resolution. Further, because a raster image is composed of many tiny pieces it is difficult to distinguish one object from another within the image. Vector images, alternatively, allow for more flexibility. Constructed using mathematical formulas rather than individual colored blocks, vector file types such as SVG, EPS, AI and PDF* ['''why the "*" on PDF.?'''] are excellent for creating graphics that frequently require resizing. Also, each object within a vector file is assigned to a distinct layer within Adobe Illustrator or Inkscape which means an object can be moved, resized, and recolored without affecting the rest of the image. Having a graphic in vector format can be helpful because it is easy to remove the vinyl background from the graphic by adding a cut line around the object.  
    
For Adobe Illustrator:  
 
For Adobe Illustrator:  
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#* First you can draw a shape around the graphic and use that as the cut line. This option works well for high quality images because there is no compromise in image detail. The downside is that it is difficult to cut out precise shapes from the graphic because it is difficult to get shapes to match up correctly.
 
#* First you can draw a shape around the graphic and use that as the cut line. This option works well for high quality images because there is no compromise in image detail. The downside is that it is difficult to cut out precise shapes from the graphic because it is difficult to get shapes to match up correctly.
 
#* The second option is to convert the graphic to a vector format using a bitmap. Do this by clicking [Path] > [Trace Bitmap] and then pressing [Okay]. There are several different options in the bitmap menu that you can experiment with to find the best results. Generally, the color option works the best. Finish the process by right clicking and selecting the [ungroup] option so that each piece of the graphic can be edited.   
 
#* The second option is to convert the graphic to a vector format using a bitmap. Do this by clicking [Path] > [Trace Bitmap] and then pressing [Okay]. There are several different options in the bitmap menu that you can experiment with to find the best results. Generally, the color option works the best. Finish the process by right clicking and selecting the [ungroup] option so that each piece of the graphic can be edited.   
# Create the cut line. Do this by selecting the shape that you would like to cut out, right clicking, and then selecting [Fill and Stroke]. Then add a stroke of any width (0.25 pt works well) and any color. Ideally this would be a spot color and named CutContour just like Illustrator but Inkscape does not have the same options. The downside of using a normal stroke is that the cut settings in Versaworks must be adjusted to treat the stroke as a cut line. This can be an issue if you have several adjacent shapes creating a graphic but you only want to cut around the outside of the objects. To prevent this, select the group of objects you want to cut around, make sure there are no strokes around them, and copy/paste a new copy of them next to the old ones. Select the copy and  then got to [Path] > [Union]. This will combine the group of objects into one shape with a continuous outline that will be cut out, but notice that the new singular object will be one color. Add a stroke to the new object and make sure to turn off the fill, then use the page coordinates to place the new object in the same place as the original group. You should be able to see the stroke surrounding your original object; this will be your cut line.
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# Create the cut line. Do this by selecting the shape that you would like to cut out, right clicking, and then selecting [Fill and Stroke]. Then add a stroke of any width (0.25 pt works well) and any color. Ideally this would be a spot color and named CutContour just like Illustrator but Inkscape does not have the same options. The downside of using a normal stroke is that the cut settings in Versaworks must be adjusted to treat the stroke as a cut line. This can be an issue if you have several adjacent shapes creating a graphic but you only want to cut around the outside of the objects. To prevent this, select the group of objects you want to cut around, make sure there are no strokes around them, and copy/paste a new copy of them next to the old ones. Select the copy and  then go to [Path] > [Union]. This will combine the group of objects into one shape with a continuous outline that will be cut out, but notice that the new singular object will be one color. Add a stroke to the new object and make sure to turn off the fill, then use the page coordinates to place the new object in the same place as the original group. You should be able to see the stroke surrounding your original object; this will be your cut line.
 
# Save the file as a .EPS to be imported into Versaworks
 
# Save the file as a .EPS to be imported into Versaworks
 
# In Versaworks, click on the setting symbol next to job queue A or B.  
 
# In Versaworks, click on the setting symbol next to job queue A or B.  
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